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Starring James Caan, Thief is a neo-noir film about a man, essentially, looking to do one last job before settling down, but his ties to the mob. There is not a single contraction in Frank’s lines. The feature-length debut for Michael Mann, Thief shows off Manns tidy camerawork, ear for a great score, and his ability to craft smart thrillers. In Folsom, Mann became fascinated by the demeanour of the high-end thieves. Even Frank’s attempt to woo coffee-shop waitress Tuesday Weld feels like a man planning a score. More than with Heat’s Neil McCauley, Thief portrays the dehumanising effect of prison.
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Based on the 1975 novel The Home Invaders: Confessions of a Cat Burglar by Frank Hohimer, the film stars James Caan as the titular thief, a professional safecracker trying to. He just needs to take one last job… Where the Chicago Mafia are just around the corner. Thief is a 1981 American neo-noir action thriller film written and directed by Michael Mann in his feature film debut. If Heat was to become his signature film, it was Thief that unrolled the blueprint for Mann’s meticulous aesthetic.īathed in both the jewellery-box shimmer of nocturnal Chicago, looking magnificent in a new Mann-supervised 4K transfer, and the dated yet fitting synth score by Tangerine Dream, we trace Caan’s spiritually worn safecracker, Frank, in his attempts to retire and get himself a wife, kids and a regular-type life.
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These detailed, measured, almost philosophical studies of the lives of two crack burglars and ex-cons, set in different cities, in vastly different decades, remain clear companion pieces and the calling cards of Mann’s feature-film depictions of the clockwork of crime. Thief 1981 James Caan James Belushi Willie Nelson Movies Preview remove-circle Share or Embed This Item. Off the back of that trip, Mann wrote two screenplays at the same time: Heat and Thief. “The colour comes out of the research,” he explains, the scholarly expert to James Caan’s wiseguy on this Blu-ray’s odd-couple commentary. There was a certain amount of confusion from some audience members as to how Frank survived a gunshot to his chest. As a young screenwriter, working on a failed draft of Dustin Hoffman’s Straight Time, Michael Mann took a trip to Folsom Prison in California. While it's commonplace for characters to wear bulletproof vests in movies today, it wasn't in 1981 when the film was released.